Continuing our look back at ARTC’s 31 years (thusfar!) with photos from our live performances. You can get a look at our whole history of combining adventures in sound with the thrill of live performance in our Chronology!
This week we bring you our appearance at the Academy Theatre in Avondale Estates, which featured our 2009 performance of The Call of C’thulhu by H. P. Lovecraft, adapted for audio by Ron N. Butler. Check out all the pictures on our Flickr album.
We’ve performed a lot of different places over the years. Hotel ballrooms. High school auditoriums. Hair salons. But one of our favorites from an acoustic point of view was the Avondale Estates location for the Academy Theatre.
Not too big, not too small, well lit, walls made of hard concrete. Well, maybe that last part wasn’t so great, but you can’t have everything.
At our 2009 performance, not only did we bring everyone the cosmic horror that is Lovecraft’s The Call of C’thulhu, we also brought Brian Phillips’s original audio drama Night Call and Kelley S. Ceccato’s The Worst Good Woman in the World!
We’ve talked before about how we don’t often do costumes, but every so often we just can’t help ourselves.
We spent a good part of last year documenting our last 30 years through photographs of our live performances. But wouldn’t you know it, we ran out of year before we ran out of pictures! So we’re going to continue on! And don’t forget our Chronology for a look at our 30 (and counting!) years of live performance!
This week we bring you our appearance at the Academy Theatre for The Colour Out of Spacein 2008. Check out all the pictures on our Flickr album.
This performance was our first at the Academy Theatre’s Avondale Estates location. We walked in not really knowing what to expect, and to a certain degree not really knowing exactly where it was (if you ever visited the Avondale location, you probably know what I mean).
But the cast settled in nicely to their new home away from home.
During a show, communication is key. You might think that with all that talking going on on stage that getting anything else said would be difficult, and you’d be right. But we still need to communicate between backstage, onstage, and the techs in the back to ensure that timing is maintained and that when things go haywire the actors know what to do.
We also wear a lot of different hats. It’s tempting to think that we all have well-defined roles, but the truth is that everybody pitches in for a good show.
We’re hard at work on the studio version of The Colour Out of Space right now, so look for that in the store soon! (If you’re reading this in 2020 and it’s still not there, send help).
This being our 30th anniversary, we thought we’d dip back into the past and recap some of our previous performances, triumphs and tragedies, in a series of posts. And don’t forget our Chronology for a look at our 30 (and counting!) years of live performance!
This week we bring you our appearance at the Academy Theatre for An Atlanta Christmas 2008. Check out all the pictures on our Flickr album.
What else can we say about Christmas? We just finished up our 2014 edition of An Atlanta Christmas, its 15th consecutive year of production, and it’s always a fun time. It’s kind of interesting how we crave newness and novelty all year long, but around the holidays we get all nostalgic and don’t mind listening to the same songs (or audio dramas!) that we’ve heard a dozen times before.
But it’s such a fun time! The reds! The greens! The getting to see people you haven’t seen in forever! The trying to cram in as much activity as possible while also shopping for people you suddenly realize you don’t know well enough and trying to live your normal life as well!
Plus, it’s different every year, while also staying the same. We shuffle the scripts around, we get new kids when the old ones get too big (everything gets exchanged just after Christmas, even actors).
So we’ve put the wraps on Christmas for another year, but we’ll be back next year. And there’s still more Christmas pictures to post (we’re only up to 2008, after all). So, who knows? Maybe you’ll see Christmas in July.
The 2008 production will live on in our hearts. We welcomed new performers. We made new memories. We refreshed ourselves. We did it again in 2009 all the way through 2014. And we’ll do it again in 2015.