Creepy things are afoot at the Tucker Rec Center in October!
This show, intended for audiences that can really take a scare, will feature The Island of Dr. Moreau by H. G. Wells, adapted by Thomas E. Fuller.
Also included in this lineup will be Haunter Hunters by Thomas Berry, Unresolved Mysteries Solved While U Wait: UFO Abductions by Ron N. Butler, The Crowded Graveyard by Doug Kaye, Angelic Exchange Program by Elisabeth Allen, and the current installment of Mercury: A Broadcast of Hope.
We’ll have three exciting new releases for attendees at Dragon Con this year, and for those of you who are reading this website right now! First, our 2012 live production of “The Dunwich Horror” by H. P. Lovecraft, adapted by Thomas E. Fuller, featuring music by The Ghosts Project with Alton Leonard. Next, not just the long-awaited Volume 2, but also Volume 3 of our fan-favorite series Rory Rammer, Space Marshal, created and written by Ron N. Butler!
We’ve got a couple of other titles in the works that should be ready in time for the convention, but we hate to make promises we can’t keep, so watch this space for news of those when they’re ready!
[podcast src=”https://html5-player.libsyn.com/embed/episode/id/4362323/height/360/width/480/theme/standard-mini/autoplay/no/autonext/no/thumbnail/yes/preload/no/no_addthis/no/direction/forward/” height=”360″ width=”480″]Well, here we are. We made it. All the way through 4 parts of Lovecraftian horror and now we’re…not quite ready for the Centauri Express to launch.
We were so looking forward to this being the last episode of the venerable, but generically named, ARTC’s Podcast. But we just can’t. We can’t put forth something that’s less than our best effort. We just can’t do that to our listeners. So we’re pushing back to August. We hope.
So we’ll be carrying on in our usual fashion for just a couple more months. In the meantime, won’t you consider supporting us on Patreon? We just posted a bunch of really cool milestone goals to help you know what your support will mean to us, and we’re working on a short video to show how we’re operating, too. All kinds of good stuff going on, so remember that you can set your own budget and hopefully you can see your way clear to helping us out a bit. We’d really appreciate it!
[podcast src=”https://html5-player.libsyn.com/embed/episode/id/4295971/height/360/width/480/theme/standard-mini/autoplay/no/autonext/no/thumbnail/yes/preload/no/no_addthis/no/direction/forward/” height=”360″ width=”480″] We’re back and ready for another episode of ARTC’s Podcast! This month,The Rats in the Walls-LIVE part 3 of 4, performed live at the Academy Theatre in October 2012.
What else can we say about Lovecraft and The Rats in the Walls? Not much, really. I mean, it’s creepy, it’s awesome, it’s classic horror.
So in this month’s show notes, we’re going to talk instead about what’s coming up for the podcast. As we mention in the podcast itself, we’re about to wind down on the show as you’ve known it for the last 10 years. We’re shooting for a June launch, but we’re perfectionists, so it might be July or August before we get this really ready, but when it gets moving it’s going to be as hard to stop as a freight train. Which is fitting since it will be theCentauri Express Audio Magazine!
What is the Centauri Express? It’s whatever you want it to be! For one thing we’ll be taking a step back from our anthology format and focusing on a serialized audio drama, beginning with the full 13-episode version of Dash Cardigan!
But that’s not all! We’ll also be featuring interviews with ARTC personnel, behind-the-scenes looks at our productions, outtakes, and user-submitted content that might take the form of reviews or previews of other audio dramas, convention reports, flash fiction, and whatever else looks interesting to us and to you, our loyal listeners.
Enjoying the live performances? Fret not! The majority of the back catalog will remain online and free for the foreseeable future and future live performances will be made available as free perks for our Patreon subscribers at ALL levels.
There’s still one more part of The Rats in the Walls to go and then…well, you’ll just have to stay tuned to find out what happens next. But whatever shows up next you can be sure that….There is Adventure in Sound!
We’re really sorry we missed our normal publication time this month! Car trouble impeded our progress. But we’re back on track now!
EDIT: We forgot the link to the actual audio! It’s here now! Those of you looking for it can find it now!
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This month we continue with The Rats in the Walls from our 2012 performance. With music by The Ghosts Project, it was a really creepy experience.
The creepiness was enhanced by the lighting wizardry of Robert Drake. We don’t always have the luxury of special lighting at our live shows. At most of our convention appearances we usually just have the ballroom lights of the room we’re performing in, so being able to do a show at the Academy Theatre is a real treat.
[podcast src=”https://html5-player.libsyn.com/embed/episode/id/4142207/height/360/width/480/theme/standard-mini/autoplay/no/autonext/no/thumbnail/yes/preload/no/no_addthis/no/direction/forward/” height=”360″ width=”480″] So last month we brought you The Music of Erich Zann. This month we decided to keep the cosmic horror going. And why not? It’s our 10th year of podcasting and our H. P. Lovecraft fans have been very good to us, so we’d like to be very good to them!
For the uninitiated, Lovecraft’s Nightmares was our monthlong celebration of the master of cosmic horror. For four weekends in October, ARTC performed a different Lovecraft adaptation from our catalog. The first weekend, we led off with The Rats in the Walls, featuring Dave Schroeder in the role of Delapore.
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Can you believe the first ARTC podcast was back in 2006? We can’t, and we published it!
At the end of 2015, we featured three interviews with ARTC writers and performers. We’ll be having more of that in 2016, but for now let’s get back to the audio drama with The Music of Erich Zann by H. P. Lovecraft, adapated for audio by Jonathan Horton and David Benedict, featuring music by The Ghosts Project, Paul Mercer and Davis Petterson with Alton Leonard.
This was part of our Lovecraft’s Nightmares show back in 2012 at the Academy Theatre.
Lovecraft’s Nightmares was a monthlong celebration of the master of cosmic horror. His writing focuses on the strange, the macabre, and the insane. Speaking of insane, we performed a different Lovecraft adaptation each week in October of 2012, and many of the cast and crew went insane and everyone called the producer insane. But it was a ton of fun and we got a lot of great performances out of that month!
You can hear more of the performances from Lovecraft’s Nightmares, and even more of our ongoing collaboration with The Ghosts Project, by purchasing them from our catalog. But for now, here’s a glimpse into madness. We hope you enjoy it.
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We apologize for the lateness of the podcast this month. Dragon Con ate our brain.
Well, this is it. The final chapter in this 5-part saga of The Passion of Frankenstein. It’s been quite a summer with an unprecedented three performances of this gothic masterpiece.
We hope you’ve enjoyed getting to hear this piece from the different casts. We looked for some of the older performances, but they appear to have been misplaced. If we find them, maybe we’ll run them later.
In the previous installments of this piece, the music was done by Brad Weage. In this final installment we were pleased to have live music from The Ghosts Project.
We also presented the Thomas E. Fuller Lifetime Achievement Award to William Alan Ritch and David Benedict!
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We’re back with another podcast, and this time we’re coming back to the studio production of The Passion of Frankenstein. Remember, you can get this production in all its glory, with CD quality sound instead of the heavy compression we put on the podcast tracks, right here!
Also, just like the last time we used the studio production, we have no photos from that show, so we’re bringing you more from the LibertyCon show.
As we’ve mentioned several times, the script is like an irresistable force, bearing down on the audience and hitting them with a heady blend of emotion, horror, and intense sound effects. The piece is vocally challenging for our actors. When we decided to bring the performance to World Horror Convention, we knew we couldn’t just perform it once but we also knew that the actors’ voices might never be the same if they had to perform it as many times in a row as we were planning.
So for LibertyCon 2015 we switched up the cast. We hope you enjoy this segment that features several performers brand new to ARTC!
We’re also bringing you the preview of our upcoming new release, Blues for Johnny Raven! Be sure to check out the IndieGogo campaign to see how you can help us make the CD available to YOU!