This being our 30th anniversary, we thought we’d dip back into the past and recap some of our previous performances, triumphs and tragedies, in a series of posts. And don’t forget our Chronology! It’s not as detailed, but it really shows the growth of ARTC over the years. You can see all of the photos in their full size on our Flickr album!
ARTC has been priveleged to perform at every single Dragon Con since the very beginning back in 1987. In 1999 we debuted the audio version of Thomas E. Fuller’s Throne of Shadows: The Last Relic of the Empire. It’s a complex story involving the Emperor of Mexico, an actress pushed to her limits of sanity, and an alternate history of the way things really went in 1867. But leaving geopolitics aside for a moment, the story is really about the love that Maximilian shared with his wife Carlota and how that love transcended death and madness.

In this photo we see an extremely young Sarah Taylor as the fictional Sofia, along with several other members of the cast of the production. We managed to get Sarah into the studio to record her lines while she still sounded like a girl instead of the young woman she has grown up to be. Also pictured, Trudy Leonard as Carlota, Dena Friedman Williams as the actress Victoria Forell, and Thomas E. Fuller as Emperor Maximilian.

Foley for Throne of Shadows was fairly involved. There was lots of walking around on castle floors when the scenes were set in Bavaria, but when the scenes magically shifted to the Mexican Empire in 1867, it was occasionally necessary to have dense foliage available. One side set in winter, the other in a glorious Mexican spring.

Brad Weage composed the haunting score, including the essential “Imperial Waltz”. For the final studio production, Joel Abbott provided a good deal of a replacement score, due to Brad’s original compositions being unavailable, but the “Imperial Waltz” lives on!


In 2008 we performed The Doom of the Mummy at Dragon Con. The performance was dedicated to Thomas E. Fuller, who had already provided us with retellings of the classic monster stories 











We ended up performing The War of the Worlds: The Untold Story twice in 2013. The debut performance was, of course,
Here we see the bare room that we’ll be constructing in. There was some brief concern that we’d measured incorrectly and that the booth wasn’t going to fit in here, but as it turned out all was well.
ARTC Executive Producer David Benedict poses here with the pallets still on the truck. You can’t really see it here, but the pallets were eight feet long and the truck driver had thought we had a forklift. We’re not sure how they arrived at that conclusion, but at least they brought a truck with a lift gate!
David and ARTC Board member Tony Fuller help the truck driver with the load. Discerning viewers will note a problem with the length of the pallet vs the width and depth of the lift gate.
We did it! And then we had to do it again, because there were two of these pallets. And then we had to carry all the individual boxes upstairs.
And, as you can see, there were a LOT of boxes. Don’t worry, folks, all that cardboard got recycled and didn’t find its way to the landfill!
Construction took multiple days for a variety of reasons, most of which involved user error. Here we see David Benedict, Daniel Kiernan, and Bob Brown positioning the floor panels.
With the floor down, the next step was to position the walls. Here, Clair Kiernan and Bob Brown assess the situation and determine next steps.
Here you can see Tony Fuller and David Benedict putting what they thought were some of the finishing touches on the recording booth. Little did they know that there would be at least three more visits to the studio space before everything would be where it really belonged.
But eventually it all came together! You can see some of the ventilation on the right hand side. The microphones we bought for the studio are super-sensitive, but the ventilation silencing systems on these booths is actually extremely good and you can barely tell the difference!
And of course it’s still a work in progress. Here’s a preliminary setup, but we’ve got ideas for how to make ARTC Studio even better and we’re looking forward to ramping up production before this month is out!