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31 Years of ARTC: Dragon Con 2010 part 2

Continuing our look back at ARTC’s 31 years (thusfar!) with photos from our live performances. You can get a look at our whole history of combining adventures in sound with the thrill of live performance in our Chronology!

In this installment we bring you our appearance at Dragon Con 2010 (Sunday night edition) where we presented Time and Time Again by H. Beam Piper, adapted by Ron N. Butler and At the Mountains of Madness by H. P. Lovecraft, adapted by Thomas E. Fuller, and featuring music by The Ghosts Project. Check out all the pictures on our Flickr album.

It’s a short update this week, folks, as I am flying out to Kansas City, MO, later today to attend the HEAR Now Festival. But this was a momentous show because it marked the beginning of our long-standing relationship with The Ghosts Project, who have since gone on to play with us on several other productions, including The Shadow Over Innsmouth, The Dunwich Horror, The Island of Dr. Moreau, and The Rats in the Walls!

Fiona K. Leonard
It’s completely mind-blowing
Paul Mercer and Davis Petterson
The Ghosts Project, Paul Mercer and Davis Petterson
Brian Troxell
“Don’t forget, you can own this recording of this historic performance.”
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30 Years of ARTC – Solution Unsatisfactory, Dragon Con 2001

This being our 30th anniversary, we thought we’d dip back into the past and recap some of our previous performances, triumphs and tragedies, in a series of posts. And don’t forget our Chronology! It’s not as detailed, but it really shows the growth of ARTC over the years. You can see all of the photos in their full size on our Flickr album!

Last week we brought you the story of Guards! Guards! at Dragon Con 2001. But we’ve been doing two shows at that convention for several years now and the second part of that double bill in 2001 was Robert Heinlein’s Solution Unsatisfactory.

Harlan Ellison introduces Atlanta Radio Theatre Company at Dragon Con 2001
Harlan Ellison introduces Atlanta Radio Theatre Company at Dragon Con 2001

First, we got things started off with a bang by being introduced by the legendary Harlan Ellison. Mr. Ellison has performed with us in the past and we were honored to be graced with his presence once again, even though he did not act with us in this production.

Henry Howard is presented with the ARTC Lifetime Achievement Award
Henry Howard is presented with the ARTC Lifetime Achievement Award

Shortly afterwards we took a moment to present Henry Howard, owner and operator of Audio Craft Studio, with the ARTC Lifetime Achievement Award. Henry’s studio has served us well for years, and he was instrumental in our acquisition of ARTC Studio. He has also produced and edited a huge amount of our work and we make use of his expertise whenever possible.

Thomas E. Fuller performs the iconic opening lines from Rory Rammer, Space Marshal
Thomas E. Fuller performs the iconic opening lines from Rory Rammer, Space Marshal

And we led off the performance with Rory Rammer, Space Marshal! The name of the exact episode has been misplaced, so if you were there, let us know what we did at this show and we’ll edit this to reflect it. But no matter which episode it was, it was a rip-roaring good time!

Daniel Kiernan and David Benedict share a laugh during the performance.
A rip-roaring good time

See? A rip-roaring good time!

Peter David and Alton Leonard in Solution Unsatisfactory
Peter David and Alton Leonard in Solution Unsatisfactory

After the Rory Rammer episode, we got to the main event. In addition to all the other star power we commanded in 2001, we were also joined by Peter David!

A scene in a radioactive room features the actors wearing masks to muffle their voices, just as their characters would be muffled.
A scene in a radioactive room

One scene in Solution Unsatisfactory features the characters in a room filled with radioactivity. They were wearing full lead armor in the script. We simulated that with standard filtering face masks.

Be sure to check out the rest of the album for even more great pictures!

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30 Years of ARTC – All Hallows’ Moon, Dragon Con 2000

This being our 30th anniversary, we thought we’d dip back into the past and recap some of our previous performances, triumphs and tragedies, in a series of posts. And don’t forget our Chronology! It’s not as detailed, but it really shows the growth of ARTC over the years. You can see all of the photos in their full size on our Flickr album!

Continuing our annual appearances at Dragon Con, and 2000 was a real doozy. First, it included one of Thomas E. Fuller’s best original pieces, All Hallows’ Moon. But we were also priveleged to perform an episode of Ron N. Butler’s Rory Rammer, Space Marshal series, The Queen of the Spaceways with Ted Raimi, Alexandra Tydings, and Claire Stansfield! All that plus Zap thy Neighbor by James P. Hogan, and you’ve got a stellar lineup!

Doug Kaye, Fiona K. Leonard, and Thomas E. Fuller set the scene in
Doug Kaye, Fiona K. Leonard, and Thomas E. Fuller set the scene in “All Hallows’ Moon”

ARTC doesn’t normally do costumes. It’s actually a long-running debate within the company – how to create visual appeal for a medium that doesn’t normally rely on visual appeal at all! But when you’re performing live, the audience expects to be able to see something and asking them to close their eyes can lead to inopportune snoring, so occasionally we give costumes a try.

David Benedict, Ron N. Butler, William L. Brown, Doug Kaye, Fiona K. Leonard, Daniel W. Kiernan, and Thomas E. Fuller portray the inhabitants of Mother Lode, New Mexico.
David Benedict, Ron N. Butler, William L. Brown, Doug Kaye, Fiona K. Leonard, Daniel W. Kiernan, and Thomas E. Fuller portray the inhabitants of Mother Lode, New Mexico.

Here’s another example of the costuming work for this piece. We have been very lucky to have a number of professional costumers work with ARTC in the past to help us on occasions such as this.

William L. Brown accepts the first ARTC Lifetime Achievement Award
William L. Brown accepts the first ARTC Lifetime Achievement Award

In 2000 we also debuted the ARTC Lifetime Achievement Award for excellence in audio. Presented first to ARTC founder William L. Brown and informally known as the “Brownie”, the award was renamed as the Thomas E. Fuller Lifetime Achievement Award in 2003.

Ted Raimi, Karen Barrett, and Claire Stansfield perform in
Ted Raimi, Karen Barrett, and Claire Stansfield perform in Rory Rammer, Space Marshal: Queen of the Spaceways as Alexandra Tydings waits for her cue.

We also had the great honor of performing with three of the stars of Xena, Warrior Princess that year. Ted Raimi hammed it up as Rory Rammer, turning in an uproarious performance…that also happened to be about half an hour longer than we’d scheduled it for! Claire Stansfield and Alexandra Tydings were also spectacular in the roles of Michiko Sakai and Aphrodite DeHavilland.

Alexandra Tydings and Ted Raimi
Alexandra Tydings and Ted Raimi

This performance is still recalled fondly by those members of ARTC who were lucky enough to be present.

We hope you’re enjoying this look back at ARTC! If so, let us know! And don’t forget that your support is extremely important. Tell your friends! Tell your family! Buy a CD or make a donation!

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30 Years of ARTC – Throne of Shadows, Dragon Con 1999

This being our 30th anniversary, we thought we’d dip back into the past and recap some of our previous performances, triumphs and tragedies, in a series of posts. And don’t forget our Chronology! It’s not as detailed, but it really shows the growth of ARTC over the years. You can see all of the photos in their full size on our Flickr album!

ARTC has been priveleged to perform at every single Dragon Con since the very beginning back in 1987. In 1999 we debuted the audio version of Thomas E. Fuller’s Throne of Shadows: The Last Relic of the Empire. It’s a complex story involving the Emperor of Mexico, an actress pushed to her limits of sanity, and an alternate history of the way things really went in 1867. But leaving geopolitics aside for a moment, the story is really about the love that Maximilian shared with his wife Carlota and how that love transcended death and madness.

The cast of
The cast of “Throne of Shadows”

In this photo we see an extremely young Sarah Taylor as the fictional Sofia, along with several other members of the cast of the production. We managed to get Sarah into the studio to record her lines while she still sounded like a girl instead of the young woman she has grown up to be. Also pictured, Trudy Leonard as Carlota, Dena Friedman Williams as the actress Victoria Forell, and Thomas E. Fuller as Emperor Maximilian.

Foley for
Foley for “Throne of Shadows”

Foley for Throne of Shadows was fairly involved. There was lots of walking around on castle floors when the scenes were set in Bavaria, but when the scenes magically shifted to the Mexican Empire in 1867, it was occasionally necessary to have dense foliage available. One side set in winter, the other in a glorious Mexican spring.

Brad Weage at the keyboard
Brad Weage at the keyboard

Brad Weage composed the haunting score, including the essential “Imperial Waltz”. For the final studio production, Joel Abbott provided a good deal of a replacement score, due to Brad’s original compositions being unavailable, but the “Imperial Waltz” lives on!

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Solution Unsatisfactory part 3 of 3

Size: 8.4M Duration: 17:51

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This week we are pleased to continue our podcast of the Dragon*Con 2001 production of Robert A. Heinlein’s Solution Unsatisfactory.  Guest starring in this production are Peter David and Lisa Getto.

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Solution Unsatisfactory part 2 of 3

Size: 8.4M Duration: 17:53

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This week we are pleased to continue our podcast of the Dragon*Con 2001 production of Robert A. Heinlein’s Solution Unsatisfactory.  Next week will feature the third and final part.  Following this will be our five part podcast of H. P. Lovecraft’s The Shadow Over Innsmouth, featuring Harlan Ellison.

Guest starring in this production are Peter David and Lisa Getto.

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Solution Unsatisfactory part 1 of 3

Duration: 18:57 Size: 8.8M

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Back in 2001 we performed an adaptation of Robert A. Heinlein’sSolution Unsatisfactory.  As you might expect, we were very proud and excited to present a work by such a well-regarded author.  And since it was written in 1941 we were already aware that Mr. Heinlein had seemingly seen the future of world events by predicting the use of atomic weapons, although in a different form.

Little did we realize how memorable this performance would become.  Performed live on August 31, we planned studio time for September 12, 2001.  Needless to say we moved this production up in the queue.

Guest starring in this production are Peter David and Lisa Getto.