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31 Years of ARTC: Dragon Con 2008 part 2 – Not a Typo

We spent a good part of last year documenting our last 30 years through photographs of our live performances. But wouldn’t you know it, we ran out of year before we ran out of pictures! So we’re going to continue on! And don’t forget our Chronology for a look at our 30 (and counting!) years of live performance!

This week we bring you our second appearance at Dragon Con in 2008, which featured a number of short subjects that we dubbed Not a Typo. Check out all the pictures on our Flickr album.

David Benedict examines his script.
David Benedict looks for typos. Finding none, the show proceeds.

Scheduling difficulties had prevented us from having a second show at Dragon Con for a couple of years, but when we came back we knew we had to bring some great shows.

Bill Kronick expresses himself at the microphone.
Did someone say great shows??

So we trotted out A Ship Named Francis, Haunter Hunters, Rory Rammer, Space Marshal: The Atomic Graveyard, Wikihistory, and The National Endowment for Space Art.

Jayne Lockhart addresses the microphone.
Jayne Lockhart swoons over the quality selection of scripts.

And, if we do say so ourselves, we totally blew the audience away!

Daniel Taylor addresses the microphone.
“You probably shouldn’t say that in today’s geopolitical world. Things like that aren’t always funny.” — No One Ever.

And we’ve been doing two shows at that fine convention ever since! Stay tuned to see what’s in store for this year’s convention. In fact, you could even sign up for the newsletter to keep current!

Jonathan Strickland addresses the microphone
We want YOU to sign up for “Breaking Radio Silence,” the ARTC newsletter.
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Twenty Thousand Leagues Under the Sea part 1 of 4

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In 2013 ARTC took our adaptation of Jules Verne’s Twenty Thousand Leagues Under the Sea to the Academy Theatre in Avondale Estates for its debut, and thusfar only, performance.

As part of the performance, we commissioned a cake from our good friend Heather Schroeder with Sweets to the Sweet (edit: we just got word that Sweets to the Sweet is taking a bit of a hiatus. Sad face! Hopefully they’ll be back baking soon!). Check out how awesome this is!

Cake from Twenty Thousand Leagues Under the Sea
Cake from Twenty Thousand Leagues Under the Sea
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31 Years of ARTC: Dragon Con 2008 part 1 – The Doom of the Mummy

We spent a good part of last year documenting our last 30 years through photographs of our live performances. But wouldn’t you know it, we ran out of year before we ran out of pictures! So we’re going to continue on! And don’t forget our Chronology for a look at our 30 (and counting!) years of live performance!

This week we bring you our appearance at Dragon Con for The Doom of the Mummy in 2008. Check out all the pictures on our Flickr album.

In 2008 ARTC returned to the Dragon Con stage with our customary two shows. One of them was Bill Ritch’s The Doom of the MummyThe Doom of the Mummy was written to be a compliment to Thomas E. Fuller’s Universal Monsters series of retellings that includes The Passion of Frankenstein and The Brides of Dracula.

William Alan Ritch
Who is the real monster here?

The story tells of an ancient evil that returns through sorcery to menace mondern times. You know, your standard mummy story. But Ritch included his own nuances and personality into it, including an ambitious score that pushed our master composers Brad Weage and Alton Leonard to their limits.

Brad Weage at the keyboard.
Brad Weage, clearly succumbing to the pressure.

The score called for not just our usual synthesizer, but also ancient instruments such as the ugab and lyre and also incorporated a modern instrument in the cello, masterfully played by special guest Regina Maniqus.

Regina Maniquis at the cello.
Regina Maniquis at the cello.

The cast had a wonderful time, and we’re really looking forward to getting this piece into the studio for proper treatment!

Cast of
Cast of “Doom of the Mummy”
Ariel Kasten in
Ariel Kasten in “The Doom of the Mummy”
Clair W. Kiernan in
Clair W. Kiernan in “The Doom of the Mummy”
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31 Years of ARTC: Academy Theatre 2008

We spent a good part of last year documenting our last 30 years through photographs of our live performances. But wouldn’t you know it, we ran out of year before we ran out of pictures! So we’re going to continue on! And don’t forget our Chronology for a look at our 30 (and counting!) years of live performance!

This week we bring you our appearance at the Academy Theatre for The Colour Out of Space in 2008. Check out all the pictures on our Flickr album.

This performance was our first at the Academy Theatre’s Avondale Estates location. We walked in not really knowing what to expect, and to a certain degree not really knowing exactly where it was (if you ever visited the Avondale location, you probably know what I mean).

Stage setup at Academy Theatre
If we’d expected the setup to be done for us, we were sorely disappointed.

But the cast settled in nicely to their new home away from home.

The cast prior to the performance.
If I talk about them like they’re pets…well, there’s a reason for that.

During a show, communication is key. You might think that with all that talking going on on stage that getting anything else said would be difficult, and you’d be right. But we still need to communicate between backstage, onstage, and the techs in the back to ensure that timing is maintained and that when things go haywire the actors know what to do.

The cast onstage at the Academy Theatre.
One of those things we do is to hold our hands over our mics so they can be muted before we adjust them.

We also wear a lot of different hats. It’s tempting to think that we all have well-defined roles, but the truth is that everybody pitches in for a good show.

Foley for 'The Colour Out of Space'.
Here we see Clair Kiernan, normally a voice actor, at the Foley table. Clair, you sly devil.
Recorded sound effects for 'The Colour Out of Space'.
David Benedict running recorded sound effects. Complete with dramatic lighting!

We’re hard at work on the studio version of The Colour Out of Space right now, so look for that in the store soon! (If you’re reading this in 2020 and it’s still not there, send help).

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30 Years of ARTC: An Atlanta Christmas 2008

This being our 30th anniversary, we thought we’d dip back into the past and recap some of our previous performances, triumphs and tragedies, in a series of posts. And don’t forget our Chronology for a look at our 30 (and counting!) years of live performance!

This week we bring you our appearance at the Academy Theatre for An Atlanta Christmas 2008. Check out all the pictures on our Flickr album.

What else can we say about Christmas? We just finished up our 2014 edition of An Atlanta Christmas, its 15th consecutive year of production, and it’s always a fun time. It’s kind of interesting how we crave newness and novelty all year long, but around the holidays we get all nostalgic and don’t mind listening to the same songs (or audio dramas!) that we’ve heard a dozen times before.

Audience for 'An Atlanta Christmas' 2008
Case in point.

But it’s such a fun time! The reds! The greens! The getting to see people you haven’t seen in forever! The trying to cram in as much activity as possible while also shopping for people you suddenly realize you don’t know well enough and trying to live your normal life as well!

Jeff Montgomery, Laurice White, and Kelley S. Ceccato.
There’s a lot to do, is what we’re saying.

Plus, it’s different every year, while also staying the same. We shuffle the scripts around, we get new kids when the old ones get too big (everything gets exchanged just after Christmas, even actors).

Jonathan Strickland, Rachel Pendergrass, and Trudy Leonard.
Especially actors.

So we’ve put the wraps on Christmas for another year, but we’ll be back next year. And there’s still more Christmas pictures to post (we’re only up to 2008, after all). So, who knows? Maybe you’ll see Christmas in July.

Kris Kringle, Jayne Lockhart, Laurice White, and the Children's Ensemble.
But hopefully not wearing these outfits, unless you’re in the Southern hemisphere.

The 2008 production will live on in our hearts. We welcomed new performers. We made new memories. We refreshed ourselves. We did it again in 2009 all the way through 2014. And we’ll do it again in 2015.

The cast of
The cast of “An Atlanta Christmas 2008”
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Dash Cardigan part 4 of 4

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We now bring you the concluding chapter of the short version of Dash Cardigan!

It’s been a pleasure bringing you another year of free audio drama! Don’t forget us when it comes time for gift-giving and those tax-deductible charitable donations. You do know we’re a 501(c))(3), right? Lots of options on our donate page, so pick the method and the budget that’s right for YOU.

Thanks for listening! We’ll see you all again in 2015!

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30 Years of ARTC: Gaylaxicon 2007

This being our 30th anniversary, we thought we’d dip back into the past and recap some of our previous performances, triumphs and tragedies, in a series of posts. And don’t forget our Chronology for a look at our 30 (and counting!) years of live performance!

This week we bring you our appearance at Gaylaxicon 2007. Check out all the pictures on our Flickr album.

Here at ARTC we have a special place in our hearts for our convention audiences. They turn up in droves and always appreciate what we offer up to them. And while we have our favorite haunts that we visit every year (LibertyCon, Dragon Con), we’re also keen on checking out new conventions, especially ones that pick new cities every year.

David Benedict
On the lookout for new conventions.

In 2007 we had an amazing opportunity. First we were invited to Gaylaxicon 2007, a first for us, and second we learned that one of the guests of the convention would be Keith Hartman! Keith used to be a regular member of ARTC, but then moved to Los Angeles to pursue fame and fortune, and has had quite a bit of success!

Cast of Gaylaxicon 2007
Proof that Keith still loves us.

We performed some of our favorite pieces. Brotherhood of Damn Sassy Mutants, A Ship Named Francis, and The Shape of Things to Come.

Tech for Gaylaxicon 2007
We used a lot of tech to do it, too.

And everybody had a wonderful time!

Foley for Gaylaxicon 2007
Everybody.
David Benedict and Jonathan Strickland
Just look at those smiles.

We’ve got plenty of convention shows planned for 2015! Hope to see YOU there!

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30 Years of ARTC: An Atlanta Christmas 2007

This being our 30th anniversary, we thought we’d dip back into the past and recap some of our previous performances, triumphs and tragedies, in a series of posts. And don’t forget our Chronology for a look at our 30 (and counting!) years of live performance!

This week we bring you our appearance at Stage Door Players for An Atlanta Christmas 2007. Check out all the pictures on our Flickr album.

An Atlanta Christmas is in its 15th year of production. The show is unique in that it tends to be easy to perform, but difficult to produce. It’s easy because the plays are like the yearly carols – tried and true, memorable, and familiar. It’s difficult to produce because the first step is deciding what to perform each year out of over three hours of available material and the second step is finding children to play the younger roles.

The cast of 'The Santa Claus Blues'
Pictured: children

We’ve had tons of amazingly talented young people in our performances over the years, but they all have one significant and unavoidable flaw: they eventually grow up and are no longer suitable for the roles.

Trudy Leonard and Daniel Taylor in An Atlanta Christmas
Pictured: grown-ups

The show also sneaks up on you. We have a notice posted in our rehearsal area: dates on calendar may be closer than they appear.

Clair W. Kiernan, Jeff Montgomery, and Dawn Marie
The cast of ‘Civil War Triptych’ with Producer David Benedict moving as fast as Christmas in the background.

But for all the trials and tribulations, we wouldn’t dream of missing this show. It’s magical. It’s heartwarming. It’s a chance to get away from it all and come back home for the holidays as you remember them.

David Benedict and J. E. Hurlburt flag down an audience.
Pictured: heartwarming

It’s a time for the whole ARTC family to come together each year, and that includes you! Be sure to see the 2014 edition of An Atlanta Christmas on December 13 and 14 at the Academy Theatre in Stockbridge!

The cast of 'An Atlanta Christmas' 2007
The cast of ‘An Atlanta Christmas’ 2007
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Noir in the Naked City – Episode Eleven: Strength

Naked City Atlanta logoNaked City is a monthly live literary event held at the Goat Farm in Atlanta. Each month, the hosts reveal the theme for the next month and people sign up for the privelege of getting five minutes to speak, sing, or do whatever on the subject of the theme. Go over your five minutes? Then you must spin the Wheel of Consequences!

Naked City’s website
Naked City’s Facebook page

Starting in February, I began a writing challenge for myself: A crowd-influenced serial called Noir in the Naked City where, at the end of each episode, the protagonist would be faced with a choice. The audience would make the decision for the character, and then the next episode would be written with that choice in mind AND on the next month’s theme.


Episode Eleven: Strength

I allowed the old man to lead me away from the killing field. The codger moved with a surprisingly swift stride for someone who looked as feeble as he did.

“Hurry along, Detective,” he said, looking over his shoulder. “It wouldn’t do to be caught here now.”

I tried to match his speed, but my heart just wasn’t in it. I couldn’t even figure out why I was so upset. I’d barely known her and it wasn’t like we’d ever had time to have a conversation that didn’t hinge on running from the bad guys. It probably wouldn’t have worked anyway. Sour grapes taste great in moments like this.

We hurried past the building where they’d been keeping us just a few hours ago and proceeded down a rough path. I could see the main road from where we were, but we seemed to be avoiding it. At last we came to a small shack. It was the stereotypical shack – front porch with columns holding up a sagging roof, shingles peeling, and a rocking chair. It may have even been painted a dingy green color, but it was hard to tell in the dark.

The old man opened the door and stood aside for me to enter before him. I shambled across the threashold and promptly allowed myself to collapse on the hard wooden plank floor. The man came in, lit a lantern, and closed the curtains.

“Would you like something to drink, Detective?”

I considered it. In most aspects of life there’s what you want and what you’re prepared to live with. What I wanted was something nice and toxic, something that would kill a few brain cells and put contracts out for the rest. What I was prepared to live with was water, so that’s what I asked for. I had a feeling we weren’t out of the woods yet.

The man brought me my water and I dragged myself into a sitting position. I stared into the glass, but didn’t drink.

“You said I had something important to do,” I finally managed.

“Oh, I just said that to get you away from there,” the old man said, sitting down and sipping from his own glass of water.

“Who are you?” I asked, starting to get angry.

“That is a very complicated question. I am many things. But from your perspective the most important thing I am is the man who created you.”

I’d always heard the phrase “go to meet your maker,” but I’d never imagined it would happen so literally.

“This is crazy,” I said. “If they have you, what could they possibly want me for?”

“Well, first of all they don’t know who I am any more than you do. I got wind that they were attempting to replicate my experiments and managed to infiltrate their ranks by presenting myself as a cat lover. All those years volunteering at the Humane Society really paid off there.”

“And second?” I asked.

“Second, you have something that even I don’t have. It’s what they’ve wanted from you all along, but they couldn’t just take it. They had to win you over. I’ll have to say they’ve done a remarkably poor job of it.”

“And what’s that?”

“Detective, you aren’t living up to your title very well. Aren’t you supposed to be good at piecing the puzzle together? I’ll give you a hint. I cloned you by crossing your father’s genes with those of a stingray.”

“That’s a terrible hint. I already knew that. It’s why my bones are so flexible and why it’s a pain in the ass to walk anywhere,” I snapped.

“And how many other stingray/human hybrids would you say are in the world?”

“I dunno. Just me, I suppose.”

“At the moment you are correct, however at one time there were three,” the old man said.

“As I said, this is crazy. What about my brother? He’s a shark/human hybrid, and they cloned him. What does any of this have to do with me?”

“You saw how uncontrolled that clone was. Your brother was complicit in their scheme at first, but had a change of heart after he saw the results of his clone. That’s why they needed you. They were counting on your hatred of your brother to get you to come over to their side,” the old man said. “Because you had that precious thing that couldn’t come from any other source: experience.”

“Experience?”

“Every species has a set of instructions in its DNA for what to do – building the body, basic movement, essential survival, and so on. But, especially in more advanced species, the individual must be instructed on HOW to do those things. They have the potential, but not the ability. They can survive, but they can’t thrive. That’s why there aren’t three of your kind any more – the others didn’t manage to learn how to be stingray/human hybrids before they got killed. You did. You figured it out. That was your great strength that they needed. And this whole affair has been designed to get you to come over to their side and teach the army of clones they wanted to create how to do it themselves.”

“And what am I supposed to do now?” I couldn’t stand this conversation. I would have almost preferred to be back with the cat. “And what about the cat?” I interjected.

“Another of my creations, although he doesn’t know it,” the old man sighed. “You know how cats are. They always have to be in charge. This one is just a bit more ruthless about it than most.”

“Only a bit,” I said, but it was a halfhearted joke.

“Detective, I know this is difficult for you, but you need to be strong,” the old man said.

He was right. But I was tired of being strong. I just wanted to go home, crawl into a saltwater bath, and intoxicate myself for the foreseeable future. It wouldn’t help, but it was better than listening to this old geezer prattle on.

“Perhaps this will help,” the man said, laying a pistol on the floor next to me.

“What, you want me to off myself?” I asked.

“No. This was Lila’s pistol.”

“Who’s Lila?”

“Our Nazi co-conspirator,” he replied.

“But how did you get it?” I asked. I picked it up and examined it. It hadn’t been fired. “I don’t understand. She shot Abigail with it, didn’t she?”

Just then there was a knock at the door.


 

This was the concluding chapter of Noir in the Naked City. At the end, instead of giving the audience the usual binary choice to make about where to go next, I opened it up for others to continue the story. If you’re reading this and want to contribute the next chapter, just show up to the next Naked City event and bring it! February 2015’s theme is Restraint. Have fun!

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Dash Cardigan part 3 of 4

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In the “better late than never” category, this month we present Dash Cardigan part 3 of 4, by Thomas E. Fuller.

We’d like to offer some standard advice to our fine listeners – take care of yourselves! Being sick is no picnic, and it’s what caused this episode to be delayed a bit. So take it from the fine folks at ARTC: get plenty of rest, wash your hands frequently, take your vitamins, and stay healthy!

If you’re enjoying the podcast, why not head on over to Patreon.com/artc. and lend us your support? You can also see other ways of ensuring the podcast keeps coming with a few other donation options. Thanks!

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