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Centauri Express, V02 Issue03 – Dash Cardigan 03

[podcast src=”https://html5-player.libsyn.com/embed/episode/id/4743794/height/360/width/480/theme/standard-mini/autonext/no/thumbnail/yes/autoplay/no/preload/no/no_addthis/no/direction/forward/” height=”360″ width=”480″]Sorry for the late podcast tonight, folks, but I’m on the road! Three weeks in an RV seeing the American southwest. Austin, Carlsbad Caverns, Roswell, Albuquerque Balloon Fiesta, the Grand Canyon, Bryce Canyon, Zion National Park, and Pike’s Peak! On the way home now, but had to get the podcast up…and that involved finding some decent wi-fi, which has been somewhat challenging on this trip.

On this issue of the Express, we bring you episode three of Dash Cardigan – Enter the Dark by Thomas E. Fuller.

Following that, we’ll have a short interview with Bill Holbrook regarding our recent adaptation and performance of his storyline from Kevin and Kell, The Great Bird Conspiracy at Dragon Con.

carlsbad-caverns01balloon-fill-albuquerque-balloon-fiesta01zion-national-park01And lastly, we’ll wrap things up with a special segment here on the Express. Here on the road there are lots of sounds and we’re bringing you just a few of them. A bit of insect life from an RV park in Austin, TX, some footsteps and cave swallows at Carlsbad Caverns, the filling of a hot air balloon (and surrounding crowd) at the Albuquerque Balloon Fiesta, and a couple of hikers coming out of The Narrows at Zion National Park, dragging a wooden walking stick on a dirt-strewn concrete walkway.

If you enjoy these in-the-field segments, let us know and we’ll do more!

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Centauri Express, V02 Issue02 – Dash Cardigan 02

[podcast src=”https://html5-player.libsyn.com/embed/episode/id/4654246/height/360/width/480/theme/standard-mini/autonext/no/thumbnail/yes/autoplay/no/preload/no/no_addthis/no/direction/forward/” height=”360″ width=”480″]Thomas-E-FullerWelcome to the second issue of the Centauri Express! In this edition we continue Thomas E. Fuller‘s Dash Cardigan with episode 2, Earth Central Needs You. We also continue the panel discussion from Sci Fi Summer in 2016 with William Brown, Bill Ritch, and Anthony Fuller.

If you’re enjoying the Express, be sure to leave a review wherever you found us and a little bit of support on Patreon would be much appreciated.

And don’t forget, we’re accepting submissions for the Express in the form of reviews, news, trailers, previews, and whatever else sounds good.

Patreon logo

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Centauri Express – Vol2, Issue 1 – Dash Cardigan 01

Size: 41.7M Duration: 30:26

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Centauri-Express-logo-transparentWelcome to the first issue of the second volume of the Centauri Express Audio Magazine! As we’ve mentioned before, the first volume of the Express was way back in the 1980s and was distributed on cassette, if you can believe such a thing. Today, we’ve moved into…a more modern era.

Dash-Cardigan-webAnd, as promised, we are bringing you the expanded edition of Thomas E. Fuller’s epic space opera, Dash Cardigan. We originally presented it as the hour-long stage version on ARTC’s Podcast, but this is the expanded 13-episode original version. Chock full of character development, tense plots, and astounding…wait, what? The whole series is a bunch of cheesy jokes and classic movie references? Sounds great!!

Louis+Puster+IIIAlso in this issue of the Express, William L. Brown interviews author Louis Puster, III about his Saga of Ukumog series of books and we’ll also hear a segment from a panel discussion at Sci Fi Summer 2016 that features William Brown, Anthony Fuller, and William Alan Ritch. We’ll bring you more of that panel discussion in future issues of the Express, so stay tuned for that!

As always, thanks for listening and let us know what else you’d like to hear in the audio magazine!

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The Passion of Frankenstein part 5 of 5

Size: 10.7M Duration: 18:52

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We apologize for the lateness of the podcast this month. Dragon Con ate our brain.

Well, this is it. The final chapter in this 5-part saga of The Passion of Frankenstein. It’s been quite a summer with an unprecedented three performances of this gothic masterpiece.

The Dragon Con stage.
The Dragon Con stage.

We hope you’ve enjoyed getting to hear this piece from the different casts. We looked for some of the older performances, but they appear to have been misplaced. If we find them, maybe we’ll run them later.

Ron N. Butler and David Benedict in
“No, please! No more Frankenstein!”

In the previous installments of this piece, the music was done by Brad Weage. In this final installment we were pleased to have live music from The Ghosts Project.

Davis Petterson, Gabriel Monticello, and Paul Mercer
Davis Petterson, Gabriel Monticello, and Paul Mercer

We also presented the Thomas E. Fuller Lifetime Achievement Award to William Alan Ritch and David Benedict!

William Alan Ritch accepts the Thomas E. Fuller Lifetime Achievement Award
William Alan Ritch accepts the Thomas E. Fuller Lifetime Achievement Award
David Benedict accepts the Thomas E. Fuller Lifetime Achievement Award
David Benedict accepts the Thomas E. Fuller Lifetime Achievement Award

See you next month with something less monstrous!

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The Passion of Frankenstein part 4 of 5

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We’re back with another podcast, and this time we’re coming back to the studio production of The Passion of Frankenstein. Remember, you can get this production in all its glory, with CD quality sound instead of the heavy compression we put on the podcast tracks, right here!

Also, just like the last time we used the studio production, we have no photos from that show, so we’re bringing you more from the LibertyCon show.

The LibertyCon cast for Frankenstein!
The LibertyCon cast for Frankenstein!
Matt Goodson
Matt Goodson as Dr. Victor Frankenstein. Where did he get his PhD, anyway?
Foley for Frankenstein
The best Foley team in all of existence. In this case it’s real FrankenFoley!
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The Passion of Frankenstein part 3 of 5

Size: 9M Duration: 15:39

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Continuing our presentation of Thomas E. Fuller’s powerhouse, The Passion of Frankenstein, this month we bring you a performance from LibertyCon 2015.

As we’ve mentioned several times, the script is like an irresistable force, bearing down on the audience and hitting them with a heady blend of emotion, horror, and intense sound effects. The piece is vocally challenging for our actors. When we decided to bring the performance to World Horror Convention, we knew we couldn’t just perform it once but we also knew that the actors’ voices might never be the same if they had to perform it as many times in a row as we were planning.

So for LibertyCon 2015 we switched up the cast. We hope you enjoy this segment that features several performers brand new to ARTC!

The cast and crew of
The cast and crew of “The Passion of Frankenstein” for LibertyCon 2015
And this is what happens when the director loses control of the performers.
And this is what happens when the director loses control of the performers.

Raven-CDface02

 

 

We’re also bringing you the preview of our upcoming new release, Blues for Johnny Raven! Be sure to check out the IndieGogo campaign to see how you can help us make the CD available to YOU!

 

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31 Years of ARTC: The Last Dragon to Avondale 2010

Continuing our look back at ARTC’s 31 years (thusfar!) with photos from our live performances. You can get a look at our whole history of combining adventures in sound with the thrill of live performance in our Chronology!

In this installment we bring you our appearance at the Academy Theatre in October 2010 where we performed The Last Dragon to Avondale along with The House Across the Way, featuring music by Brad Weage and Paul Mercer, and Rory Rammer, Space Marshal: The Colour of the Shadow of the Outsider Over the Mountains of Madness Out of Space. This performance was a benefit for Georgia Aquarium (it was one of our first benefit performances, in fact!) and also included special musical guest Rooke! Check out all the pictures on our Flickr album.

In 2010 we debuted our Partners in Imagination program, which strives to harness the power of multiple non-profit groups into something stronger by raising awareness amongst our various audiences and maybe even a little money as well.

Megan Tindale and Brian Troxell
Psst…there’s not a lot of money in this…at least not yet.

We had originally wanted to do this benefit for Georgia Aquarium with Twenty Thousand Leagues Under the Sea, but it became apparent very quickly that the script wouldn’t be ready in time, so we switched gears to The Last Dragon to Avondale. We felt that its focus on an “endangered species” made it a great fit.

Andrew Chiang and Sonya Arundar
“You keep telling yourself that, ok?”

Plus, we’d been performing at the Academy Theatre in Avondale Estates for a while at this point and to NOT perform this piece there would have been a crime against … well, a crime against something. Dragons, maybe.

The audience for
We got a good turnout, too!

We also had the privilege of working with some amazing musicians on this piece. There was Brad Weage.

Brad Weage
The very serious Brad Weage

Paul Mercer on violin. This was Paul’s first appearance with us!

Paul Mercer
The equally serious Paul Mercer

And our special musical guest, Rooke! Rooke has been around since the late 1980s and play a kind of (in their words) acid folk. We couldn’t quite get the whole band for this show, but we were thrilled to get Steven Sams, David Cater, and Keena Graham!

Steven Sams, Keena Graham, and David Cater
The not-quite-so-serious Rooke!

Rooke actually released an album of the recordings from this performance, so go get some great music!

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31 Years of ARTC: The Island of Dr. Moreau 2010

Continuing our look back at ARTC’s 31 years (thusfar!) with photos from our live performances. You can get a look at our whole history of combining adventures in sound with the thrill of live performance in our Chronology!

In this installment we bring you our appearance at the Academy Theatre in October 2010 where we performed The Island of Dr. Moreau, featuring music by The Ghosts Project, along with Inhuman Rights, Rory Rammer, Space Marshal: Set Loose the Dogs of Time, and Bumpers Crossroads: The Stray Dog. This performance was a benefit for the Atlanta Humane Society and also included special musical guest Julie Gribble! Check out all the pictures on our Flickr album.

Ok, first up, we know that using The Island of Dr. Moreau as a benefit for the Atlanta Humane Society sounds like a sick joke.

Fiona K. Leonard and Daniel Taylor.
Really sick.

But the truth was that we thought it was a perfect choice to highlight the plight of animals. While it’s true that nobody is trying to turn animals into humans surgically…

Hal Wiedeman, Rachel Wansker, Clair W. Kiernan, Daniel W. Kiernan
THAT WE KNOW OF…

…animals still face serious challenges every day due to neglect, maltreatment, habitat loss, and various other challenges. We wanted to help, and we felt that one of H. G. Wells’s more shocking stories might assist with that.

Ron N. Butler, Brian Troxell, Hal Wiedeman, J. E. Hurlburt
And goodness knows we can use all the help we can get.

This was also a musically packed performance. In addition to the usual brilliance of Alton Leonard, we were thrilled to be graced with The Ghosts Project!

Daniel Taylor, Clair W. Kiernan, Paul Mercer, Davis Petterson
There they are, lurking in the background. Try not to frighten them.

Not to mention our very special musical guest, Julie Gribble!

Julie Gribble
With suitably dramatic lighting

This performance also featured our Beast Men Chorus, led by Beastmistress Trudy Leonard.

The Beast Chorus
Try not to let THEM frighten YOU. (click this image for a larger version)

Not to mention one of the more violent Foley performances in ARTC’s history, involving a rubber mallet and a rather unfortunate butternut squash, used to simulate the cracking of the pantherwoman’s skull.

Butternut squash
Before (front)
butternut squash
Before (back) (it saw what happened to its predecessors…)
Sonya, Mary Ward, David Benedict
The dastardly deed
butternut squash...squashed
The evidence of the crime

Be sure to come see more crimes against produce as we mangle a grapefruit in our upcoming performances of The Passion of Frankenstein!

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The Passion of Frankenstein part 2 of 5

Size: 9.36M Duration: 16:21

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As we mentioned last month, we’re bringing you The Passion of Frankenstein in five parts and will be showcasing a different performance for at least the first four. We hope. We haven’t performed two of these yet and if the recording devices fail (it’s happened) then we might have to improvise. Part five will probably include the best performance of those scenes, but who knows? We might surprise ourselves.

Paige Steadman Ross and Kelley S. Ceccato
Surprise!

This month we’re bringing you a section of the studio recording that we did at Audio Craft Studio back in 2002. This is what we refer to as the “original cast”. The pictures in this entry are still from World Horror Convention 2015, though, because we don’t have any pictures from any of the other performances yet. Talk to us after LibertyCon and Dragon Con. So the picture below of Thomas E. Fuller and Henry Howard at Audio Craft will have to do.

Thomas Fuller and Henry Howard admire an issue of the Centauri Express audio magazine at Audio Craft Studio
Thomas Fuller and Henry Howard admire an issue of the Centauri Express audio magazine at Audio Craft Studio

The studio recording was, literally, a monster to produce. The rich soundscape we talked about in last month’s entry is difficult to produce live, but surely in the studio it’s easier, right? Wrong.

Christina Fuller and Matt Gwaltney
What do you mean it’s not easier??

First, in the studio the standards are higher. Live audiences are very forgiving (thank goodness!), but once it’s on a recording all the little flaws stick out, so there’s a lot of precision work that has to get done. And the music, which in a live performance has a little bit of ebb and flow and adjustment to it, had to get timed out to the second to make the scenes work the way they were supposed to.

And then there was the review process.

Anthony Fuller and Bob Brown
“Our opinion of that draft of the recording might be at the bottom of this bucket. Or maybe it’s under it.”

See, this was back in the early 2000s when the Internet was only barely a thing for the general public. Cloud storage didn’t exist. Websites were hosted on Angelfire and Geocities. And CD-R technology wasn’t even remotely as reliable as it is now. We couldn’t just create an mp3, put it on a server somewhere, and have beta listeners download it and give feedback. We had to try to gather everyone together at the same time and have a listening party. On one memorable occasion we had all the relevant parties in the room…and the CD wouldn’t play. And burning another one would have involved an hour of driving and probably 30 minutes to actually burn the disk. So we all went home.

Ah, those were the good old days…

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31 Years of ARTC: Dragon Con 2010 part 2

Continuing our look back at ARTC’s 31 years (thusfar!) with photos from our live performances. You can get a look at our whole history of combining adventures in sound with the thrill of live performance in our Chronology!

In this installment we bring you our appearance at Dragon Con 2010 (Sunday night edition) where we presented Time and Time Again by H. Beam Piper, adapted by Ron N. Butler and At the Mountains of Madness by H. P. Lovecraft, adapted by Thomas E. Fuller, and featuring music by The Ghosts Project. Check out all the pictures on our Flickr album.

It’s a short update this week, folks, as I am flying out to Kansas City, MO, later today to attend the HEAR Now Festival. But this was a momentous show because it marked the beginning of our long-standing relationship with The Ghosts Project, who have since gone on to play with us on several other productions, including The Shadow Over Innsmouth, The Dunwich Horror, The Island of Dr. Moreau, and The Rats in the Walls!

Fiona K. Leonard
It’s completely mind-blowing
Paul Mercer and Davis Petterson
The Ghosts Project, Paul Mercer and Davis Petterson
Brian Troxell
“Don’t forget, you can own this recording of this historic performance.”