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The Doom of the Mummy part 4 of 4

Size: 10.3M Duration: 17:37

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And now we arrive at the conclusion of our 2008 Dragon Con performance of The Doom of the Mummy. At this time we felt it would be appropriate to highlight William Alan Ritch, the writer, producer, and director of this performance.

William Alan Ritch at the tech table.
William Alan Ritch at the tech table.

Bill (as he is commonly known) has been with ARTC for as long as anyone can remember. He is a tireless force in the organization, contributing time and money when necessary to ensure that shows go off without a hitch. He is a skilled director and has helmed the vast majority of ARTC productions, especially in recent years, and is also a competent technician, working in less-than-ideal conditions to give us the best sound we can get out of venues that aren’t designed for what we do (and let’s face it, very few venues are designed for what we do).

Bill Ritch takes the stage to read the credits for his play.
Bill Ritch takes the stage to read the credits for his play.

He writes, he directs, he soundscapes, he runs the mixing board…you name it, Bill has probably done it at one time or another. But he is more than that. He is one of the foundations upon which ARTC rests. He is a driving force and helps keep us on our path. And The Doom of the Mummy is destined to make its way into ARTC Studio so that it can take its place alongside our other classic monster stories…just as soon as he’s finished with one last rewrite.

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The Doom of the Mummy part 3 of 4

Size: 12M, Duration: 20:52

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This month we continue with 2008’s presentation of The Doom of the Mummy by William Alan Ritch, performed live at Dragon Con.

Lori Emerson, Floor Manager extraordinaire.
Lori Emerson, Floor Manager extraordinaire.

We’d like to take a moment to highlight one of the roles in the company that isn’t often appreciated by the audience, but is crucial to a successful performance, and that is the role of Floor Manager/Stage Manager. These days that vital function is fulfilled by Patti Ward (who will get her own feature posting soon!), but in 2008 and for many years before and after it was Lori Emerson.

Lori’s moved on to bigger and better things, but she did a stellar job for us as Floor Manager.

For those of you who might not know, the Floor Manager’s job is to be the primary liaison between the actors, the director, and the technical staff. They herd cats (aka wrangle actors into position), convey messages between groups, do a little script supervision, and provide timing cues to actors.

The presence of a good Floor Manager can literally be the difference between an amazing show and a sloppy show and we’ve been very lucky to have several work with us over the years. The Doom of the Mummy has so much going on with so many different musical instruments, a Floor Manager was absolutely essential.

Thanks, Lori! You’re welcome back with us if your path ever brings you back to this neck of the woods! And thanks also to all the Floor Managers everywhere!

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The Doom of the Mummy part 2 of 4

Size: 8.5M Duration: 18:03

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This month we continue with our presentation of 2008’s performance of The Doom of the Mummy, performed live at Dragon Con.

Regina Maniquis on cello for Dragon Con 2008
Regina Maniquis on cello for Dragon Con 2008

The music for this performance was particularly special. We had the incomparable Brad Weage, and we also added in the talents of Alton Leonard, who played the lyre and the ugab. But the star of this musical show was Regina Maniquis on the cello.

Bill Ritch wrote an ambitious script that called for all kinds of authentic Egyptian music with authentic Egyptian instruments, but integral to the plot was this all-important cello.

We hope you enjoy it!

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The Doom of the Mummy part 1 of 4

Size: 7.3M Duration: 15:39

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Bill Kronick as Dr Creighton AlastairIn 2008 we performed The Doom of the Mummy at Dragon Con. The performance was dedicated to Thomas E. Fuller, who had already provided us with retellings of the classic monster stories The Passion of Frankenstein and The Brides of Dracula (not to mention an adaptation of The Invisible Man). Although he’d never really talked about it, it seemed natural to assume that he would follow those up one day with more audio dramas in the vein of the Universal Monsters by also retelling the time-honored tales of the wolfman, the mummy, and several others in that same vein.

Unfortunately, Thomas passed away in 2002 and we were never able to see what his vision for these classic monsters might have been. We are forced to fill the void ourselves, and have begun to do so with The Doom of the Mummy by William Alan Ritch and The Wood-Bound Werewolf by Kelley S. Ceccato.

Now, here in 2014, we dedicate this performance again, this time to Bill Kronick, himself recently passed away. Bill was a marvelous voice talent, a skilled improviser, and a great friend to all who knew him. We are proud to present his work here as Dr. Creighton Alastair.

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Dr. Will Ward, Science Wizard: Sherlock Gnomes

Size: 7.7M Duration: 16:30

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A fan con for all things Sherlock Holmes

Performed live at 221B Con! Yet another installment in this ongoing serial. Like it? Want more? Let us know!

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Dr. Geoffry Stanhope: The Maker of Dreams

Size: 15.6M Duration: 33:20

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A fan con for all things Sherlock Holmes

Performed live at 221B Con! We had the media come in to cover this one, but we never saw the footage. If you saw news coverage of this convention and saw us, let us know!

 

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Nairobi Jack Rackham: The Lost Gold of the Atlantimengani – Parts 1 and 2

The ARTC podcast logo with website

Welcome again to the ARTC Podcast, your monthly source for free, original audio drama!

Size: 18.3M Duration: 39:14

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This month we bring you Nairobi Jack Rackham: The Lost Gold of the Atlantimengani, parts 1 and 2, by Thomas E. Fuller, performed live at Anachrocon, February 22, 2013, in Atlanta, Georgia.

Thomas E. Fuller wrote The Lost Gold of the Atlantimengani in the early days of ARTC in 13 episodes. In this podcast, we present parts 1 and 2. At this time, we don’t have any of the rest of the episodes recorded, but if we hear from our listeners that they like it, we can be sure to put it on the schedule for upcoming shows and studio time!

Incidentally, Thomas also wrote a full treatment for a second set of 13 episodes for Nairobi Jack Rackham, so if you really like it, there’s more where this came from!

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Two’s A Crowd – Part 2 of 3

Welcome again to the ARTC Podcast, your monthly source for free, original audio drama!

Size: 8.9M Duration: 18:56 [esplayer url = “http://traffic.libsyn.com/artc/ARTC128-TwosACrowd-Pt2.mp3” width = “80” height = “20” title = “Two’s a Crowd part 2”]

This month we bring you Two’s A Crowd, part 2 of 3, by Thomas E. Fuller, performed live at Necronomicon, October 10-12, 1997 in Tampa, Florida.

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Two’s a Crowd – Part 1 of 3

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Size: 8.2M Duration: 17:37

This month we bring you Two’s A Crowd, part 1 of 3, by Thomas E. Fuller, performed live at Necronomicon, October 10-12, 1997 in Tampa, Florida.