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ARTC on AM 1690

At Dragon Con 2014, ARTC was pleased to be able to announce that on October 5, 2014, we will begin a weekly half-hour series on AM 1690, WMLB, The Voice of the Arts!AM 1690 weblogo

This series will air Sundays at 9:30pm and will be available to local listeners as well as streaming on the web through the station. More information will be coming soon, but we’re super excited about our return to the airwaves.

Initially we’ll be presenting a mix of live and studio recordings edited for radio, but we hope to shortly also be able to offer serialized content with Dash Cardigan and Nairobi Jack Rackham!

AM 1690 banner held up in the audience for the Sunday night show.
Giuli Ward and Alison Bear hold the banner up amongst our adoring fans!
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30 Years of ARTC: Dragon Con 2004 part 1

This being our 30th anniversary, we thought we’d dip back into the past and recap some of our previous performances, triumphs and tragedies, in a series of posts. And don’t forget our Chronology! It’s not as detailed, but it really shows the growth of ARTC over the years. You can see all of the photos in their full size on our Flickr album!

So last week we dipped into 2005, but now we’re back to 2004. This week is Dragon Con, so we thought we’d save these pictures from Dragon Con 2004 for now.

It was a banner year for ARTC for two reasons. The first was that we performed The Shadow Over Innsmouth by H. P. Lovecraft, which is always a crowd favorite, and we got to do it with Harlan Ellison, who is also a crowd favorite and puts on an amazing performance. The second…well, the second reason we’ll talk about next week in that update.

Phil Carter with Harlan Ellison
Phil Carter with Harlan Ellison

We’ve performed with Harlan a few times in the past. He was masterful as the Ringmaster in The Man Who Traveled in Elephants and also portrayed the crazed and troubled Delapore in The Rats in the Walls. His performance style is always energetic and really gets the most out of these characters.

Full stage shot of the cast for
The Cast of The Shadow Over Innsmouth

In The Shadow Over Innsmouth, Harlan portrayed the town drunk, Zadok Allen, who warns our protagonist of the mysterious and deadly citizens of Innsmouth and their horrifying history.

Harlan Ellison
Harlan Ellison as Zadok Allen

And he did so with his usual style and energy!

Michael Brady
Michael Brady

We were also pleased to have Michael Brady share the stage with us again that year!

Foley sound effects
Foley sound effects

And let’s not forget the all-important sound effects! Some of the most mundane things go into creating an atmosphere of horror. Here we see the preparation of the thunderball, used to create impromptu storms and earthquakes.

We’ve got to run off now to get ready for this year’s convention. Hope to see you there, and we’ll be back next week with part 2 of Dragon Con 2004!

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30 Years of ARTC: An Atlanta Christmas 2005

This being our 30th anniversary, we thought we’d dip back into the past and recap some of our previous performances, triumphs and tragedies, in a series of posts. And don’t forget our Chronology! It’s not as detailed, but it really shows the growth of ARTC over the years. You can see all of the photos in their full size on our Flickr album!

We’re back with another round of pictures from An Atlanta Christmas!

The holidays are a serious time. A time for reflection. A time for self-assessment.

Colin Butler looks serious at the microphone.
Colin Butler. Serious.

It’s a time for somber contemplation of…aw, who are we kidding? The holidays are a ton of fun! In this installment, we feature some of the goofier moments in An Atlanta Christmas.

Daniel W. Kiernan in a Santa hat with ears.
Daniel W. Kiernan. Reflective.

The play being a series of short subjects has the advantage of being able to swing through a wide range of emotions. There are very serious pieces, such as O Tannenbaum and Civil War Triptych, but the overall feel tends to convey the lightheartedness of the season. It’s a time of hope.

Tamara Morton.
Tamara Morton. Hopeful.

A time of giving.

Clair W. Kiernan rolls her eyes as Daniel W. Kiernan wears a blinking red nose.
Clair W. Kiernan wanting someone to give her a break.

A time  of anticipation.

Sketch MacQuinor.
Sketch MacQuinor anticipates…something.

Sorry for the blurriness on that last picture. We just couldn’t resist that expression.

It’s also a time for family and gatherings.

The ARTC Chorus gathers around the microphones.
A gathering. Or a police lineup. Your choice.

And through it all we somehow manage to have a good time. Every year for the last 15 years! Be sure to come see us this December! We’d love to have you be a part of our family. Details coming soon.

Clair W. Kiernan at a microphone that's too tall for her.
Just out of reach…
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30 Years of ARTC: Halloween 2004

This being our 30th anniversary, we thought we’d dip back into the past and recap some of our previous performances, triumphs and tragedies, in a series of posts. And don’t forget our Chronology! It’s not as detailed, but it really shows the growth of ARTC over the years.

This week we bring you our appearances at Onstage Atlanta and Stone Mountain Park for Halloween 2004. Check out all the pictures on our Flickr album.

A plastic pumpkin graces the ARTC stage at Stone Mountain Park
ARTC’s Halloween stage decorations

We love Halloween. Love it. It’s seriously our favorite time of year. The cool fall weather, the colorful leaves on the skeletal trees…and the eerie atmosphere it brings with it. October seems to be a natural month for audio drama, and with our emphasis on horror and science fiction we are right at home.

Brad Weage, David Carter, Cyd Hoskinson, and Tracy Wilson make up the tech crew for this show.
Brad Weage, David Carter, Cyd Hoskinson, and Tracy Wilson make up the tech crew for this show.

As is often the case in the arts, the performers tend to garner most of the accolades. They’re the ones up front, visible, and vocal. But in our case the tech and Foley crew are the real stars. It’s been said that if the show is going well, you don’t even notice the tech crew is there, and that’s pretty much the case. We’ve been very lucky to have a lot of great people on tech over the years and we’re always looking for more!

Megan Tindale holds up the 'Yay!' sign for Rory Rammer, Space Marshal.
Megan Tindale is thrilled that we remembered this sign for this show.

The fact is that most people don’t always know about all the opportunities available in ARTC. Sure we love voice actors and we always need more techs, Foley artists, and musicians. We can even teach you how to do some of those things if you’re interested in learning and have a little patience. But did you know we also have all the same needs and roles of any non-profit? Marketing, fundraising, public relations, graphic design…you name it, we’ve got an opportunity for you.

Jack Mayfield and Clair W. Kiernan perform as Daniel Taylor provides Foley sound effects.
Jack Mayfield and Clair W. Kiernan perform as Daniel Taylor provides Foley sound effects.

But back to the show. This year we took the unusual step of having Halloween shows in two venues. Onstage Atlanta graciously hosted us, as well as Memorial Hall in Stone Mountain Park. It involved a lot of shuffling of equipment back and forth, but our audiences had a great time.

Jack Mayfield, Megan Tindale, Geoffrey Brown, and David Benedict address the microphones
Jack Mayfield, Megan Tindale, Geoffrey Brown, and David Benedict address the microphones

We also changed up the show we were doing, depending on where we were at the time. A bit more adult fare at Onstage Atlanta, a bit more family-friendly at Stone Mountain Park. That’s the flexibility of ARTC. You can check out the playbill for these shows here!

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30 Years of ARTC: Pirate Day 2004

This being our 30th anniversary, we thought we’d dip back into the past and recap some of our previous performances, triumphs and tragedies, in a series of posts. And don’t forget our Chronology! It’s not as detailed, but it really shows the growth of ARTC over the years.

This week we bring you our appearance at Barnes and Noble Perimeter for Talk Like a Pirate Day in 2004. Check out all the pictures on our Flickr album.

Brad Strickland
Brad Strickland

ARTC has been extremely privileged over the years to be able to work with Brad Strickland. Author of several published novels and some of our best audio dramas, Brad has brought us to new levels of excellence through his guidance and participation not only as an author, but as a skilled actor and presenter.

At this event, Barnes and Noble Perimeter asked us to come do a show for them for Pirate Day, based on the success of our Harry Potter events, and we couldn’t think of better subject matter than Brad’s Pirate Hunter series, which he co-authored with Thomas E. Fuller.

Jack Mayfield, Daniel Kiernan, and Brad Strickland in full pirate regalia.
Jack Mayfield, Daniel Kiernan, and Brad Strickland on the high seas.

Talk Like a Pirate Day is always a ton of fun in and of itself, but being able to present this work (in costume, no less), was a real treat for us.

Jack Mayfield, Megan Tindale, and Jonathan Strickland.
Jack Mayfield, Megan Tindale, and Jonathan Strickland. None of which are showing any signs of scurvy.

You know, we keep saying we don’t do many shows in costume, but examples to the contrary keep cropping up!

Terry Sanders and Jack Mayfield.
Terry Sanders and Jack Mayfield on the bounding main.
A bunch of pirates.
A bunch of pirates.

We hope you’re enjoying these forays into our past. If you are, let us know! We’ve got lots left, including some of our best work coming up soon!

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Noir in the Naked City – Episode Seven: Madness

Naked City Atlanta logoNaked City is a monthly live literary event held at the Goat Farm in Atlanta. Each month, the hosts reveal the theme for the next month and people sign up for the privelege of getting five minutes to speak, sing, or do whatever on the subject of the theme. Go over your five minutes? Then you must spin the Wheel of Consequences!

Naked City’s website
Naked City’s Facebook page

Starting in February, I began a writing challenge for myself: A crowd-influenced serial called Noir in the Naked City where, at the end of each episode, the protagonist would be faced with a choice. The audience would make the decision for the character, and then the next episode would be written with that choice in mind AND on the next month’s theme.


Episode Seven: Madness

The car pulled away from the curb, leaving Abigail and Gus behind us. For someone who hated cars so much, I sure seemed to be spending a lot of time in them lately. Guess it’s my accommodating nature. Not everybody likes to walk everywhere like I do. I looked out the side window and watched the world go by, a blur of people all moving about in their routine. I wondered if they felt as out of control of their lives as I did in mine.

The Nazi dame sat next to me in the back seat. “What’s the matter, detective?” she cooed. I didn’t answer.

It had felt wrong to leave Abigail back there, but I didn’t have a choice. I didn’t even get a chance to tell her why I had gone. Gus had been prepping for a fight, and he just might have been able to take our dear fraulein friend even with the pistol she’d been holding. What they hadn’t noticed was her three goons lurking in the shadows.

The entire situation was beginning to get on my nerves. A vicious murder, crazy Nazis trying to create their own master race, Abigail, my long lost brother. What next? I closed my eyes and tried to figure out how I’d gotten into this. Then I decided I didn’t care. It was time to get out. Literally. As the car slowed for a traffic light, I unbuckled my belt, threw open my door, and vaulted out into the street. I dodged a car coming from the other direction, threw myself forward into a roll, and launched myself forward.

Behind me I could hear the Nazi dame screaming, apoplectic with rage, yelling for them to get after me, but they’d never catch me. I had a head start, was in better shape than them, and have a kind of springy gait that gives me a little extra edge when I’m on the run, something which feels like it happens a lot. I just hoped that Abigail had had the brains to get away from the Empire Night Club, because it was a safe bet they’d go after her to get to me. Assuming her goons hadn’t just scooped her up after we left. She clearly knew too much anyway.

I ducked into a doorway and listened for the telltale pounding footsteps of pursuers and heard nothing, so I allowed myself to breathe for a minute. I looked around the immediate area and saw some bum sitting on the ground, leaning against the brick wall of the building, but nothing else. These guys are everywhere. Down on their luck, out of time, and up against the wall, in this case literally.

It was this kind of thing that made the Nazi dame’s plan almost appealing, if it weren’t completely crazy. It wasn’t like things were rainbows and sparkles out there now in the Naked City. It was grimy and gritty and you could find yourself with a knife between your ribs shortly after breakfast if you looked at the wrong person the wrong way or end up like this poor schmoe if things didn’t quite break right. Breed a master race and maybe things improve. Care enough about your population and maybe you take better care of them. Maybe I should just let them get about their business and look out for myself.

The interesting part about bums like this guy was that they were often the best confidence men in the city. They had persistence, could convince you of all kinds of things when they were sober, and could own the world for a song if they could just get their act together. Their downfall was usually substances or madness. Impossible expectations and an inability to compromise could lead someone to turn down the golden goose while they were holding out for diamonds and end up with nothing.

The bum looked up at me, as if seeing me for the first time, and stared. Stared a little too long.

“I almost had it all,” he said.

“What’s that, old timer?” I asked, looking around nervously. Getting distracted while on the run was a sure way to get dead.

“All of it. Every bit. The fountain of youth. The Philosopher’s Stone. El Dorado. The Holy Grail. You name it, I almost had it.”

“So what happened?”

“Turns out you don’t have those things. They have you.”

With that he lunged towards me and shoved a stick of gum in my hand before I could react. He stared at me with a knowing look in his eye, although what he knew was anybody’s guess, and then opened the door and ducked inside. I went to follow him, but he’d locked it behind himself.

The next thing I heard was the sound of screeching tires. The Nazi dame’s damn black car backed into view at the end of the alley. They’d found me somehow.

I turned to run, but the other end of the alley was also blocked. Damn. I looked around. No ladders. I tried the other doors that were close by. Locked.

“Detective!” I heard the Nazi dame’s voice cut through the sound of the idling motor of the car. I turned to face her. This time she’d probably just go ahead and put me in handcuffs. An intriguing thought, but the circumstances were wrong. But when I got my head around in her direction, I saw that Abigail was with her. Double damn.

“You are much more problematic than I’d anticipated, Detective,” the dame hissed. “Now get in the car.”

“Detective, I know you’re going to get in the car because you’re just the kind of noble fool who tries to rescue the damsel in distress,” Abigail said, rolling her eyes. “But I’m telling you anyway that she’s a liar and that you should run away back down the alley. There’s only one guy there. You can make it. Don’t worry about me. You need to go to your brother. He’s at the park. He’ll explain when you get there.”

I looked and saw that she was right. I probably could make it. But I’d hate myself in the morning.

CHOICE: Run away to find my brother or go with the Nazis to save Abigail.

 

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30 Years of ARTC: Frontier Days and Tomato Festival

This being our 30th anniversary, we thought we’d dip back into the past and recap some of our previous performances, triumphs and tragedies, in a series of posts. And don’t forget our Chronology! It’s not as detailed, but it really shows the growth of ARTC over the years.

This week we’re bringing you two events at once! The Tomato Festival and Frontier Days, both at Stone Mountain Park.

ARTC in a rare outdoor performance.
Outdoor venues. Not for the faint of heart.

The first thing you’ll notice about this performance at the Tomato Festival is that it’s outdoors. We’re not terribly fond of outdoor venues for a variety of reasons, but this show was a ton of fun.

Megan Tindale performs at the Tomato Festival
Megan Tindale

One reason why we don’t care for the outdoors much is that the weather is going to either be good or bad. If it’s good, then people aren’t likely to stick around to hear a radio performance no matter how good it sounds. If it’s bad then everybody probably stayed home or ran indoors. Also, it can get hot out there!

Foley at the Tomato Festival
Foley at the Tomato Festival

Another reason is acoustics and unwanted sounds. At an indoor venue such as the Academy Theatre or even Dragon Con, we have a certain amount of control over how things sound. Outdoors, anything can happen. And we have to crank the volume up a little louder than normal because there are no walls for the sound to bounce off of!

Umbrellas go up as it begins to rain at Frontier Days
Umbrellas go up as it begins to rain at Frontier Days

But the number one reason we don’t like outdoor venues is because of our experience at Frontier Days and our cautionary tale of how great ideas can go wrong. Frontier Days was a celebration of the time between the Revolutionary War and the Civil War here in Georgia. We’d actually had to write a bunch of new scripts just to make sure we had some content for this show, and we were eager to debut them. And then it rained.

When the rain let up, the festival continued. They had strolling characters and reenacters and all kinds of fun stuff, including one gentleman who was demonstrating an actual black powder musket. We thought this was brilliant and, since one of our brand new scripts, The Legend of Nancy Morgan Hart, called for a gunshot, we thought this was an excellent opportunity to incorporate some live Foley into the show. We rehearsed it and everything went off without a hitch.

Then we performed it. At the critical moment, when our heroine is supposed to shoot one of the soldiers who has invaded her house, the musket misfired. All we got was a click. And the very next line was supposed to be “She shot him!” There was a pause on stage. The actors all looked at one another, and then at the Foley table who shrugged their shoulders helplessly. And then Geoffry Brown uttered the line that will live forever in ARTC history: “She poisoned me!” and David Benedict could only reply: “She poisoned him! Right there!”.

And the worst part is that, due to a technical glitch, we don’t even have a recording!!

Elayna Little Cook and Oreta Sarah Taylor on top of Stone Mountain
Elayna Little Cook and Oreta Sarah Taylor on top of Stone Mountain

But there are worse ways to spend your day than at Stone Mountain Park, even on an overcast and slightly rainy day. And we don’t remember if the walkie-talkies reached all the way back to the performance site.

Oreta Sarah Taylor, Megan Tindale, and David Benedict look out over the grand vistas surrounding Stone Mountain.
Oreta Sarah Taylor, Megan Tindale, and David Benedict look out over the grand vistas surrounding Stone Mountain.

We really did have a fun time doing these shows. 🙂

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30 Years of ARTC: Sci Fi Summer 2004

This being our 30th anniversary, we thought we’d dip back into the past and recap some of our previous performances, triumphs and tragedies, in a series of posts. And don’t forget our Chronology! It’s not as detailed, but it really shows the growth of ARTC over the years. You can see all of the photos in their full size on our Flickr album!

The convention scene has always been kind to ARTC. We get our biggest audiences, attract our most fervent fans, and have our biggest sales. We also have our best guest stars, and in 2004 we had the honor of performing alongside Lisa Getto at Sci Fi Summer.

Bill Ritch and Lisa Getto do a quick sound check.
Bill Ritch and Lisa Getto do a quick sound check.

Lisa was a great guest star. We actually don’t really know what she’s been up to lately, but if anybody has any info we’d love to catch up with her. She brought a talent to the show that really enhanced everyone’s performances and was a pleasure to work with!

Clair W. Kiernan preparing to sing bad karaoke in
Clair W. Kiernan preparing to sing bad karaoke in Rory Rammer, Space Marshal: Luna Shall Be Dry!

For our show selections, we went back to an old concept of Thomas E. Fuller’s, which was the idea of having a fictional radio network that broadcast old-time radio shows that were all in a similar vein. Occasionally one show would have a vague reference to another just to imply they were all in the same universe, but they didn’t really overlap. The concept was called the WOLF Broadcasting Network and we hope to get a bunch of these series into the studio very soon!

Phil Carter, Clair W. Kiernan, Megan Tindale, and Sketch MacQuinor in an episode of
Phil Carter, Clair W. Kiernan, Megan Tindale, and Sketch MacQuinor in an episode of Terra Tarkington: Interstellar Nurse’s Corps.

Among these shows were Terra Tarkington: Interstellar Nurses Corps by Wendy Webb, adapted from a story by Sharon Webb. This series tells the story of the intrepid Terra Tarkington and her adventures in the outer orbits with her beloved Dr. Brian-Scott.

Foley setup for Sci Fi Summer
Foley setup for Sci Fi Summer

We also included an episode of The Crimson Hawk. One of the great things about these kinds of shows is that they tend to be heavy on Foley. Some of our more elaborate productions make extensive use of recorded sound effects in order to keep the atmosphere more real, but in these shows we’re hearkening back to the days of old-time radio and so a little extra Foley is completely appropriate.

Cast members hold a makeshift sign that reads
The infamous “Yay!” of Rory Rammer.

Two episodes of Rory Rammer, Space Marshal were included. You can always tell when we’re doing Rory because of the infamous “Yay!” You can also tell when we forgot the sign and had to make a new one on the spot. Hey, give us a break. If you could see how much stuff we have to bring to a show, you’d be surprised we don’t forget more stuff.

Join us again next week for more 30th anniversary fun!

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30 Years of ARTC: Costume Con 2004

This being our 30th anniversary, we thought we’d dip back into the past and recap some of our previous performances, triumphs and tragedies, in a series of posts. And don’t forget our Chronology! It’s not as detailed, but it really shows the growth of ARTC over the years. You can see all of the photos in their full size on our Flickr album!

Y’know, a few posts ago we said that we didn’t do shows in costume very much. But the 2003-2004 time period was an exception to this rule, as Costume Con 22 was hosted in Atlanta. And when you perform at Costume Con…you gotta be in costume!

This year we performed Fiona K. Leonard’s play, Kissed by a Stranger.

Phil Carter, Megan Tindale, and Geoffrey Brown in Kissed by a Stranger
Phil Carter, Megan Tindale, and Geoffrey Brown in Kissed by a Stranger

When you’re in a radio group, you don’t always think about costumes. But sometimes you do. We’ve got a wide range of talents in ARTC and costuming is a passion for several of our members. Others, not so much. So what you get is a fairly diverse selection in terms of quality of workmanship. The above picture represents three of the really good ones.

David Benedict and Clair W. Kiernan
David Benedict and Clair W. Kiernan

This performance also represented one of our best audiences. They really got into the performance, even going so far as to hiss at the villain.

Sonya with Sarah Taylor at the Foley table.
Sonya with Sarah Taylor at the Foley table.

In some of our horror and science fiction pieces, we rely fairly extensively on recorded sound effects to achieve a certain atmosphere. People often ask us how we decide, and it’s a bit of a process, actually. First we decide what kind of piece are we doing and how much realism we need the audience to experience. Comedies use more Foley, serious horror uses more recorded SFX. But we also look at how much is going on at the Foley table at any given time. Already doing footsteps, dropping some tin cans, and opening the door? That thunder is more likely to be recorded. If nothing else is going on and the piece calls for it, we might use the thunderball (a punch balloon filled with BBs).

In Kissed by a Stranger Foley played a big role.

Joel Abbott and Bill Ritch at the tech table.
Joel Abbott and Bill Ritch at the tech table.

If you were at this show, you may remember a recorded sound effect that went off at the wrong time. Let’s just say a clock chiming creates a much different effect than a gunshot! But the correct effect was triggered and all was well.

Alton Leonard, Clair W. Kiernan, and Megan Tindale address the microphones.
Alton Leonard, Clair W. Kiernan, and Megan Tindale address the microphones.

This convention was a ton of fun. If they ever come back to Atlanta, we’d be glad to perform for them again!

Fiona K. Leonard and Jack Mayfield demonstrate the gravity of the situation.
Fiona K. Leonard and Jack Mayfield demonstrate the gravity of the situation.
Joel Abbott and Megan Tindale.
Joel Abbott and Megan Tindale.

Be sure to see the rest of the pics on Flickr!

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30 Years of ARTC: Dragon Con 2003

This being our 30th anniversary, we thought we’d dip back into the past and recap some of our previous performances, triumphs and tragedies, in a series of posts. And don’t forget our Chronology! It’s not as detailed, but it really shows the growth of ARTC over the years. You can see all of the photos in their full size on our Flickr album!

We don’t often get a chance to show off our rehearsal process. Unless of course you’re interested in joining us, in which case feel free to come on by.

ARTC rehearsing for Dragon Con 2003
ARTC rehearsing for Dragon Con 2003

Here you see the state-of-the-art Ritch/Wilbanks Arts Center, where we do the majority of our rehearsals. In 2003 we performed The Island of Dr. Moreau and Can You Hear Me? at Dragon Con, so we had to kind of pack in the actors. Moreau in particular requires a big cast because of the chorus of beast men.

Matt Ceccato and Trudy Leonard lead the beast men chorus.
Matt Ceccato and Trudy Leonard lead the beast men chorus.

The chorus requires a rhythm and a leader, which in this production were provided by Matt Ceccato and Trudy Leonard. Wrangling beast men is hard work!

Rehearsals are usually a good time.
Rehearsals are usually a good time.

It’s serious work getting ready for a major convention. But it’s also a ton of fun. We couldn’t have done it for the past 30 years if it weren’t!

Getting ready for showtime!
Getting ready for showtime!

And before you know it, the day is upon you and you’re getting ready for the show! Our setup looks a lot different now, but there’s still just as many wires. If anybody knows how to make copper less heavy, please let us know!

The ARTC sales table in 2003.
The ARTC sales table in 2003.

The unsung heroes of the convention, the ARTC sales team. Please note the number of cassettes on that table. Oh, how far we’ve come! And at this year’s convention, not only will we have some new CDs, but we’ll also have some digital-only releases that you can buy on a flash drive!

James Leary performing with ARTC.
James Leary performing with ARTC.

We also welcomed special guest James Leary to the show! At the time, he was best known as Clem on Buffy the Vampire Slayer.

Doug Kaye accepts the ARTC Lifetime Achievement Award.
Doug Kaye accepts the ARTC Lifetime Achievement Award.

And we awarded the Thomas E. Fuller Lifetime Achievement Award to Doug Kaye!

It was a great year! Be sure to check out the rest of the photos on Flickr!